The Ultimate Pre-Show: The Anthem is the first lifestyle hotel in the Stadium District

One late afternoon in mid-May, guests at The Anthem Hotel in Inglewood sat face-to-face with celebrity pop culture astrologer Kyle Thomas for complimentary astrology readings. It was part of the hotel’s ongoing #GRWM (Get Ready With Me) pre-concert activation; tonight was Lorde’s show next door at Kia Forum. 

“One of the best things about The Anthem’s location is that guests are right in the middle of one of the most exciting entertainment districts in the country,” said The Anthem’s General Manager Ruben Flores. “We’re just steps from SoFi Stadium, Intuit Dome, Kia Forum and YouTube Theater, so guests can easily walk to major concerts, games and events. They can spend the night at a sold-out show or big game and then be back at the hotel, relaxing by the pool or rooftop just minutes later, which is not something you typically experience in LA.”

The Anthem is also about 10 minutes from LAX, making it ideal for visitors attending the 2026 FIFA World Cup, 2027 Super Bowl LXI and LA28 Olympic Games. . . .

Read the entire article at The Argonaut.

‘Right Here Right Now’: Free rock opera features The Nextdoors and Street Symphony

It’s time. Last July, Pasadena resident Russell Mark received an individual artist grant from the City of Pasadena Arts & Culture Commission to create a project that would benefit the greater community. 

Photo by: Chris Mortenson

On June 6, Mark will premiere “Pasadena Right Here Right Now,” a live rock opera for our place and time, at Crown City Dance Theater at 7:30 p.m. free for all ages. Think “The Who’s Tommy” except this hyper-local work was inspired by the stories and lived experience of the people of Pasadena. Although the premiere of the original rock opera is a go, the No. 1 word Mark would use to describe the project is incomplete. 

“We set out for this to be a rock opera of 2025-2026 Pasadena, and there’s 6 more months to go,” said Mark. “I feel like there’s a lot of people I have not managed to reach, seniors and college students, for example. I’ve certainly spoken to some people who are seniors and a couple of college students, but I would like to get more.” . . .

Read the entire article at Pasadena Weekly.

It’s Time for Manzanar Baseball: Doubleheader honors America’s national pastime

Sometime around 5 p.m. on Sunday, May 17, a giant windstorm hit Manzanar National Historic Site, located at the foot of the Sierra Nevada mountains just north of Lone Pine. To Dan Kwong, the winds felt like they were blowing 80 miles an hour. The dust was gusting sideways, and he could not see 10 feet in front of his face.

When the dirt settled, Kwong was able to see that much of his and his fellow volunteers’ hard work was smashed to the ground. In 2023, the staff of Manzanar National Historic Site announced it would rebuild its WWII baseball field, which was used when more than 11,000 Japanese Americans were forcibly incarcerated between 1942 and 1945. The newly finished announcer’s booth was still standing, but the storm had destroyed most of the fencing on the first base side.

“It was just heartbreaking,” Kwong said. “To watch it slowly give way and just, bam, smash down. It’s the third time we’ve had damage from wind, but this was just absolute obliteration. . . .

Read the entire article at The Argonaut.

The Stories of US: Ancestry and Nancy Silverton are big on small business

Growing up in Encino, Nancy Silverton remembers shopping at small businesses with her parents. Unlike the Encino of today, populated by mini-malls, it was a town of tiny shops and markets, like the family-owned Jurgensen’s Grocery Company, Owl Rexall pharmacy and Gibson Girl boutique.

Silverton’s maternal grandfather was a doctor in Yonkers, New York, who practiced out of an office above their home. Her paternal grandfather was a jeweler in Sioux Falls, South Dakota, whose shop was the community gathering place. Her parents were “small-town people.” 

Although she wanted to, Silverton never went into a department store or a fast-food chain restaurant—until much later in life. . . .

Read the entire article at The Argonaut.

Smells Like 5 Years: Agnes celebrates its anniversary with food and cheese lovers

Agnes Restaurant & Cheesery is unique. According to chef Thomas Kalb, one-half of the husband-and-wife team that owns it, Agnes is not the only cheese shop in town, and it’s definitely not the only restaurant in town, but it is the only one of its size that has a strong relationship between the restaurant and the cheese shop.

Photo by: Nick Gingold

Its one-of-a-kindness is especially significant today because, according to Vanessa Tilaka Kalb, the wife and cheesemonger of the duo, a lot of cheesemakers are closing their doors this year.

“It’s really sad when people go to Trader Joe’s or Costco to buy cheese when these small producers are the ones who need our help the most,” she shared. . . .

Read the entire article at Pasadena Weekly.

Pass the Mic: G-Son Studios aims to reopen as a living cultural venue

It is where the Beastie Boys created some of their most iconic work — “Check Your Head,” “Ill Communication” and “Hello Nasty” — and where they filmed the “Pass the Mic” music video. It was a 1,600-plus square foot studio, label headquarters, clubhouse, skate spot, basketball court: a creative anything-goes space that, post-Beasties, has been home to Han Cholo Jewelry, X-Large Clothing and Mad Decent Recordings. Recently, Courtney Barnett filmed her video in the back for “One Thing at a Time.”

Photo by: Chris Mortenson

The place is G-Son Studios in Atwater Village, an old ballroom that is known today as one of the most mythic creative hideouts in LA. The legend goes that around 1990, when Atwater Village had a more small town USA vibe, the Beastie Boys arrived from New York City with record label money in their pockets. They decided to set up their own recording studio on Atwater’s main strip.

On the roof of the building, an old sign that used to read Gilson Plumbing and Heating now only listed “G son.” The studio’s name was decided thus for the place where the trio would launch Grand Royal, the label and magazine, and catapult themselves to global superstardom. . . .

Read the entire article at Pasadena Weekly.

‘L’Chaim America!’: Rarely heard stories of American Jewish experiences

David Chiu is the marketing and communications manager at The Braid theatre company, the nation’s leading Jewish storytelling theatre. He is the son of a Litvak, a Lithuanian Jew, and an immigrant from Hong Kong. He is also one of the writers of the true stories that make up “L’Chaim America!,” a touring production featuring a wide range of voices from a racially, culturally and geographically diverse community.

Photo by: David Chiu

“L’Chaim America!” is one of many projects supported by the National Endowment for the Arts as part of AMERICA 250, the national nonpartisan organization tasked with engaging every American in celebrating and commemorating the country’s 250th anniversary. 

Chiu joined the project when The Braid’s artistic director/founder and story curator/adapter Ronda Spinak asked if he had a story to share. He had written works for The Braid in the past and was one of the co-producers of “What Do I Do with All This Heritage?” about Asian American Jews. . . .

Read the entire article at Pasadena Weekly.

Hey Ms. DJ: KCRW’s newest voice calls her show as ‘where earth meets ether’

KCRW debuted a new voice on Monday night, May 11, from 8 to 10 p.m. Her name is Olive Kimoto, and although she’s not new to radio, she is one of two new DJs, along with J.Rocc, who recently joined the NPR member station’s lineup, which includes Jason Bentley, Novena Carmel, Anne Litt and Henry Rollins.

Photo by: Rommel Alcantara

Her first night on air was “surreal, beautiful and so much fun. I can’t wait to do more,” she said. As someone who grew up in LA listening to KCRW, she considers it an honor to be among so many legendary people whom she respects.

“KCRW is an institution that has been around me my whole life,” said 31-year-old Kimoto. “So, to actually be on the public radio airwaves feels very flattering and humbling. I remember flipping back and forth between KCRW and KXLU, thinking, wow, there’s all this other stuff out there that I didn’t know existed, and it felt magical to be this small child not knowing what’s playing but just being like, wow, this is beautiful. I want to be part of this world more.” . . .

Read the entire article at LA Downtown News.

Centering Indigenous Voices: Fowler invites visitors to rethink land, culture & responsibility

It was a total fluke and an unfortunate and sad coincidence that the Fowler Museum at UCLA debuted its “Fire Kinship” exhibition on Jan. 22, 2025 — 15 days after the tragic LA Palisades and Eaton wildfires erupted.

Photo by: Elon Schoenholz

But as Silvia Forni, Shirley and Ralph Shapiro director at the Fowler, explained, the exhibition was in-the-making for over three years.

“The coincidence was devastating, and we were traumatized when thinking about opening this exhibition, knowing about the pain and destruction that our community was living,” said Forni. “But when we went back to the exhibition text, and we asked ourselves, do we need to rewrite the text, thinking about what is happening in LA now, we did not change a word. The message was not that fire is great. The message is: You have to respect the environment; you have to think of yourself as being in a relationship with the environment. If you think in those terms, then you go about your life and your your relationships in a way that ultimately is more respectful of the land.” . . .

Read the entire article at LA Downtown News.

Playing ‘9 to 5’: At Morgan-Wixson Theatre, it’s all givin’ and no takin’

To this day, there is probably not a person alive who has not sung the chorus to “9 to 5” while performing the duties of their job. The 1980 film, starring Jane Fonda, Lily Tomlin and Dolly Parton, is considered a cult classic, and Parton, who wrote and sang the hit title song, wrote 20 entirely new songs for the 2009 musical stage adaptation.

Running through June 7 on the MainStage, “9 to 5” is playing at Santa Monica’s Morgan-Wixson Theatre as part of its 80th anniversary season.

According to Cori Goldberg, one of the show’s co-producers, “What makes this production especially meaningful is that the entire production team is deeply rooted in the Morgan-Wixson Theatre community. Each person has been involved in different ways over the years, creating a production that genuinely reflects the spirit of the community itself.” . . .

Read the entire article at The Argonaut.